Come And Find Me

Single A Little Bit of Freedom starts in combative style with a blast of wah guitar and a bold first line (‘I don’t need no-one to think for me’). “I had a strong sense that red tape and rules are really constricting things in the world,” says Trower. “Too much red tape, not enough freedom to think – it’s got to where you feel straitjacketed.”

As he reaches his eighth decade, with a lifetime of accolades and a seminal body of music behind him, Robin Trower is still chasing the biggest high he knows. It always starts the same way, with a road-scuffed Fender Stratocaster and a revved-up Marshall amplifier, those skilful fingers exploring the fretboard until a riff sticks and a new song ignites. And from the cultural flashpoint of Sixties London with Procol Harum, through 1974’s stadium-filling Bridge Of Sighs, right up to this year’s acclaimed Come And Find Me, it’s these addictive moments of creation that have kept the guitarist vital, relevant and contemporary while his peers trade on past glories.

Never one to let interviewers too deep into his headspace, Trower once explained that each new album is a snapshot of his situation and worldview at that moment. As such, Come And Find Me is the best way to know the guitarist better in 2025, and this new record is clearly not the work of a lofty rock star but an engaged participant in the real world, with relatable loves, hates, hopes and fears. “Musically, there’s a strong R&B flavour behind it, but it’s obviously rock ‘n’ roll,” he explains. “Lyrically, I think the world has become a lot darker in the last ten or twenty years. But there’s always hope. There’s more good people in the world than there are bad.”